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The Chilling True Crime Story That Stopped Alfred Hitchcock’s ‘Psycho’ From Airing on Television

In Short
  • CBS pulled Alfred Hitchcock's 'Psycho' from airing on September 23, 1966, due to the recent murder of Valerie Percy.
  • The murder, which occurred just days before the scheduled broadcast, created a public fear that mirrored the film's themes.
  • When 'Psycho' finally aired in June 1967, it was a censored version, significantly edited from the original.

In September 1966, America got ready for a TV event six years in the making. CBS had paid a record $800,000 to air Alfred Hitchcock’s ‘Psycho‘ for the first time on network television. The movie was a shocking masterpiece that broke the Hays Code and invented the slasher genre.

However, just days before it was supposed to air, the film got pulled from the schedule due to an infamous homicide. The killer wasn’t a censored edit or a complaint from a sponsor. It was a real-life blade in the rich suburbs of Chicago.

The Murder That Echoed ‘Psycho’

Valerie Percy (Image: WTTW News)-1280x720
Valerie Percy (Image: WTTW News)-1280×720

On September 18, 1966, a 21-year-old woman named Valerie Percy was brutally murdered in her family’s mansion in Kenilworth. The killer came in through a window while the family slept and stabbed the daughter of Republican Senate candidate Charles H. Percy to death in her bed.

Related: The Alfred Hitchcock Movie So Controversial It Was Banned Across America

The crime gripped the whole country, while police started looking for a “bushy-haired” intruder. For anyone who had seen Hitchcock’s movie, the fear of a psycho hiding in a normal home felt way too familiar. And for CBS, the timing was a disaster.

Why CBS Pulled ‘Psycho’ Just Days Before Airing

Alfred Hitchcock's 'Psycho' (Image: Paramount Pictures)
Alfred Hitchcock’s ‘Psycho’ (Image: Paramount Pictures)

Psycho‘ was set to air on the CBS Friday Night Movie on September 23, 1966. But the Percy murder was all over the news from just five days earlier, giving network executives a real problem.

In case you missed it: The Hollywood Clash That Ended Alfred Hitchcock’s Perfect Partnership with Cary Grant

CBS got cold feet,” an outlet reported at that time. The network said it would be “unsuitable” to show the movie, especially in the Midwest, where the tragedy was still fresh. The ugly irony was hard to miss: a political candidate’s daughter was stabbed to death, just like the famous shower scene. It was too gruesome to exploit for ratings.

Even before the official announcement, CBS’s San Francisco affiliate had decided to pull the film because it feared how the public would react. So the network swapped in Frank Sinatra’s ‘Kings Go Forth‘ instead of Hitchcock’s nightmare. They just delayed the inevitable.

When ‘Psycho’ Finally Reached TV

Alfred Hitchcock's 'Psycho' (Image: Paramount Pictures)
Alfred Hitchcock’s ‘Psycho’ (Image: Paramount Pictures)

When ‘Psycho‘ finally aired on a local late-night show on WABC-TV in June 1967, it was a watered-down version of the original. Film historians say CBS had already planned to cut about nine minutes of footage and turn down Bernard Herrmann’s shrieking violin music to keep the censors happy.

The strange thing is that the real-life violence that got the broadcast pulled ended up being the movie’s dark excuse. When people finally saw the edited version, they understood Hitchcock’s real talent wasn’t blood and guts; it was about suggestion.

This whole thing is a weird little footnote in Hollywood history. It shows the difference between the fiction we’re scared of and the real facts we can’t deal with. The Hays Code had already tried to clean up ‘Psycho‘ during filming, famously cutting the shower scene shorter. But in the end, it was an actual unsolved murder, the Valerie Percy case, which is still open today, that became the final censor.

The TV premiere of ‘Psycho‘ was a victim of bad timing. It was a moment where art copied life so perfectly that the network got scared. It took another whole year before people could finally turn their dials to the Bates Motel. And that just proves that sometimes reality is the scariest story of all.

You might also want to read: The Untold Truth About Alfred Hitchcock and His Troubling Views on Women

Arunava Chakrabarty
Arunava Chakrabarty
Arunava Chakrabarty is a writer and sub-editor at First Curiosity, where he covers the latest in Hollywood, celebrates timeless classics, and explores the world of anime. Outside of work, he delves into international and political research while still finding time for movies and anime series. In rare quiet moments, he turns to the captivating works of Yoko Ogawa, often getting lost in the tense and haunting realities of The Memory Police.

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