How ‘James Bond’ Creator Ian Fleming Secretly Influenced Another Forgotten Spy Franchise

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The Man from U.N.C.L.E. (1964-68) (Image: NBC)
The Man from U.N.C.L.E. (1964-68) (Image: NBC)

Though we best know him for creating the iconic 007, Ian Fleming’s impact on pop culture stretches far beyond that. After the enormous success of James Bond, it wasn’t a surprise that the entertainment industry saw a wave of “spymania.”

Everyone was eager to create their own espionage hero. But while Fleming will always be associated with Bond, few know that he also helped lay the foundation for another beloved spy franchise.

Ian Fleming Laid The Foundation For ‘The Man From U.N.C.L.E.’

Ian Fleming
Ian Fleming (Image: The Guardian)

Long before ‘The Man from U.N.C.L.E.’ became the iconic series we know today, it was originally pitched as an “Ian Fleming’s Solo”. In fact, the show’s biggest selling point was supposed to be his direct involvement.

Related: Who Was Ian Fleming’s Inspiration When He Created James Bond 007?

The connection began with Fleming’s book ‘Thrilling Cities’, which producer Norman Felton briefly considered adapting for television. He soon realized that it wasn’t suited for a TV series and instead began developing a new concept centered on an international operative carrying out assignments for the Secretary-General of the United Nations.

Felton was encouraged at the time to collaborate with Fleming. Their early meetings weren’t very successful. But Fleming eventually warmed to the idea and contributed several key elements that helped shape the series.

In fact, it was Fleming who came up with the name Napoleon Solo for the lead character and also suggested a handful of story ideas. But things started changing when the first Bond film, ‘Dr No’, became a hit.

Reportedly, Bond producers Albert R. Broccoli and Harry Saltzman insisted that Fleming withdraw from the television project. That may have stemmed from their desire to keep him fully focused on their growing film franchise rather than another spy series with a similar premise.

Fleming’s Influence Lived On Even After He Left

The Man from U.N.C.L.E. (1964-68) (Image: NBC)
The Man from U.N.C.L.E. (1964-68) (Image: NBC)

Fleming officially stepped away by signing over the rights to Napoleon Solo and any television series featuring the character to Norman Felton. Apparently, he did this in exchange for a symbolic one pound.

In Case You Missed It: How James Bond Film ‘GoldenEye’ Pays Tribute To Ian Fleming’s Real-Life Mission

Following his exit, Felton and co-creator Sam Rolfe took charge of the project. Rolfe introduced the fictional spy organization U.N.C.L.E., which gave the series its most unique element. Reportedly, Fleming’s contribution to the final project remained very minimal after this.

In 1964, it was reported that Felton received a cease-and-desist from the Bond producers, arguing that the show could not use Ian Fleming’s name or the title ‘Solo’, since “Mr Solo” also appeared in Fleming’s novel ‘Goldfinger’ and its upcoming film adaptation.

The creators changed the show title to ‘The Man From U.N.C.L.E’ but kept the name for the protagonist. Surprisingly, they didn’t receive any other pushback, and the dispute soon died down.

Fleming’s influence resurfaced once again in 1966 when the spin-off series ‘The Girl From U.N.C.L.E.’ premiered, featuring April Dancer. He had created the secretary character, much like Bond’s Miss Moneypenny. In a way, Fleming’s legacy will always be attached to this other iconic spy franchise.

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